Good morning. Now that we’re sufficiently tanned from the French sun and got our fill of Cannes Lions billboards (our favorite was GroundTruth’s that read β€œROI? Oui.”), it’s time to head back to the states.

Au revoir, Cannes. And bonjour, ice in our drinks.

Today’s lineup:

  1. How brands are working with creators coming out of Cannes

  2. The YouTube-ification of social platforms

  3. How creators and their teams prepare for Cannes Lions

4 Ways Brands Are Working with Creators Out of Cannes

Colin and Samir (left) interviewed guests like Adobe’s CMO & EVP of Global Marketing Lara Balazs (right) on The Daily Brief at Cannes Lions / Adobe

As the sun set on our Cocktails with Creators event yesterday, we caught up with Colin and Samir to talk about how brands are changing their creator playbooks post-Cannes. It seems they’re walking away with awareness of a new industry reality: Creators are the real multi-hyphenates of marketing.

Here are the four big roles creators are playing for modern marketing teams β†’

  1. Creators as distribution. Brands are looking to connect with a creator’s audienceβ€”and as we covered on Wednesday, the quality of that audience matters. Reach is still important, but relevance, speed, and depth is more importantβ€”and creators excel at all three.

    An example from Cannes: LinkedIn (which also had a podcast studio for creators to record in real-time) hosted a daily show with Colin and Samir, streaming on LinkedIn and clipping across Colin and Samir’s channels each day. In doing so, LinkedIn effectively doubled its surface areaβ€”introducing the brand to a creator-native audience it might not have otherwise reached.


  2. Creators as talent. Increasingly, brands are bringing creators to Cannes to show up, be themselves, and lend their personality to a moment. Microsoft, for example, called in creators Keith Lee, Jodie Taylor, and Alex Nguyen to be a part of week-long programming at its Microsoft Gardens Cannes activation.

    β€œThe goal is emotional equity for the brand that lasts well beyond the weekβ€”content that still works even when β€˜Cannes’ disappears from the caption,” Grace Musat, Microsoft director of communications, creators and emerging platforms, told us.

  1. Creators as directors. Even with the above in mind, plenty of creators are working with brands behind the camera to direct creative for brand campaigns. Google hired creator Brandon B to help direct an experimental film powered by Gemini Omni to play at Cannes.Β Β 

    β€œIt’s clear we’re in a new era of entertainment, with YouTube creators leading that shift,” Max Slonin, senior global brand strategist at Google, told us. β€œFrom observing other programming, it seems clear that just slapping a creator on a panel and calling it a day isn’t enough anymore.”


  2. Creators as consultants. More brands are looking to get creators’ expertise on social strategy and cultural relevance, beyond just video and event appearances. See: YouTube, which brought creators to consult with its clients at YouTube Beach, and centered the bulk of their programming around their Brands as Creators program.

Bottom line: Most creator x brand partnerships look like some mix of all of the above these days. β€œThe relationship between brands and creators right now is super amorphous,” Colin said on their LinkedIn show, The Daily Brief. That’s a good thingβ€”leading to more ways to work together, not fewer.

If you want to hear more of Colin and Samir’s takeaways from the week, check out their podcast episode dropping soon.Β 

Every Platform Wants to Be YouTube

(Left to right) Creators Lia Haberman, JT Barnett, and Eugene Healey speak on a panel moderated by Sedge Beswick at Cannes Lions / Photography by Lauren Thermos

At Cannes Lions, we heard the platforms loud and clear: They want to host premium series. TikTok floated incorporating more long-form video, LinkedIn CMO Jessica Jensen spoke extensively about the rising importance of video on the platform (see: Colin and Samir’s daily show), and Instagram VP of Product Tessa Lyons said she wants to support horizontal series in a β€œfirst class” type of way.

With every platform chasing the same thing, how does that change the ways creators show up for their audiences?

In the long-term, platforms could all feel indistinguishable. But for now, most creators still recognize the distinct personalities of each app. Here’s what creators are saying β†’

  • β€œFor the next few years at least, you're still gonna think about where the audience is, and the audience is still gonna show up thinking, β€˜I go to YouTube for explainer content, I go to Instagram for more aesthetic content, or TikTok for fun scrolling,’” newsletter creator Lia Haberman said when we asked her about platform differentiation during a panel.

  • β€œFor me, it's understanding where the biggest density of my person is,” lifestyle creator JT Barnett told us. β€œI'm always asking, β€˜Where are my people and what's the context?’ That's where I'm gonna go.”

  • β€œThere will always remain a certain level of differentiation, because Instagram can't fully get as dialed in as TikTok's algorithm is, but TikTok can't build the creator ecosystem in the same way that Instagram can,” brand consulting creator Eugene Healey told us.

How will these platform goals affect your long-form strategy (if at all)? Hit reply and let us know.

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How Creators Make Cannes Worthwhile

Multiple flights. Hotels. Festival passes. Nightly glasses of rosΓ©. Being at Cannes Lions isn’t cheap, but creators who come with the right strategy can earn over 150X the investment in the tripβ€”at least, that’s what film education creator Adrian Per told us.

But creators don’t just show up on the Croisette and start closing high-ROI deals. Per and his manager Ray Hughes broke down how they spent the last few months preparing to make the most of the week β†’

  • Partnership discussions typically start around February as brands decide how they’re showing up to the festival, with offers firming up in May. This year, Adrian worked with Adobe, Brand Innovators, and a few other companies.

  • On the ground, Hughes keeps Per’s schedule blocked off for spontaneous meetings with brands that popped up throughout the week.

But managers can only do so much. β€œMy team has gotten me into all these rooms,” Per told us. β€œThey put me at bat, but it's still up to me whether I strike out or hit a home run.”

Hughes said creators who win big change their pitch depending on whom they’re talking toβ€”press, PR, ad agencies, or studios.Β 

β€œThis is why I don't advise greener talent stopping a senior executive or C-suiter they recognize from their LinkedIn profile unless they understand the nuance of the limited time they have to capture their attention,” Hughes told us.

πŸ”₯ Press Worthy

  • Markiplier is inducted into the VidCon Hall of Fame.

  • Twitch and SoundCloud are hosting a 12-hour livestream featuring DJ creators today.

  • Pablo Rochat directs Phoebe Bridgers’s new music video.

  • YouTube creator content now appears in 25% of all AI search results, according to a study from digital marketing agency Jellyfish.

  • TikTok and Strava launch a six-figure fund for running creators.

πŸ“š Thank You for Pressing Publish: Cannes Edition

The content we’re looking forward to reading, watching, and listening to this weekend while we stave off jet lag.

  • Read: Casey Lewis gives a day-in-the-life view of her experience at Cannes and shares a POV: AI is no longer being touted as a replacement for human creativity at the festival.

  • Watch: β€œThey used to be the cool kids invited to the afterparty. Now they host the afterparty.” Scott Galloway shares his takeaways from Cannes Lions, declaring creators the winners of the week.

  • Listen: For Side Projects Podcast, Clara Malley, Eli Williams, and Trey Taylor chat with AdWeek reporter Mark Stenberg about why Cannes panels feel more PR-y than usual and how the festival might be lacking new ideas.

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