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How traditional stars and modern creators build networks
We often say Happy Friday up here. But for too many families in Texas and across the country, today isnât a happy Friday. Itâs another devastating day without their sons, daughters, mothers, friends. Our thoughts are with all those affected by the Uvalde shooting earlier this week. Golden State Warriors head coach Steve Kerr is rightâ enough.
âKinsey Grant (stepping in for Hannah Doyle today)
The Faces of Late Night TV Canât Seem to Agree on the Creator Economy
People.com / Wikipedia
Last week, Jimmy Kimmel delivered a searing roast during Disneyâs presentation at Upfronts, the annual congregation of TV networks looking to sell commercial space to advertisers for the upcoming season. After tearing down all the big networks (including his own), Kimmel put YouTube in his crosshairs.
âYouTube shouldnât be allowed to have an upfront, YouTube is not television,â Kimmel said. âYouTube is medicine we use to tranquilize our children. And are you really going to give money to the a**holes who came up with the âskip adâ button?â
Kimmelâs traditionalist point-of-view feels at odds with the other big headline out of late night this week: SiriusXM acquired Conan OâBrienâs podcast network and media company, Team Coco, for a reported $150 million.
Conan himself is locked in for a five-year talent contract, but Sirius is getting much more than The Hairâ˘. As a full-fledged creator-led network, Team Coco brings its flagship show, Conan OâBrien Needs a Friend, plus newer star-powered titles like Why Wonât You Date Me? with Nicole Byer and Literally! With Rob Lowe. All in, Team Coco says the network brings in 180 million downloads a year.
Team Cocoâs evolution follows a path similar to the likes of other creator-led networks spun up from singular starsâConan expanded to Team Coco just as Rhett and Link with Mythical, Cody Ko & Noel Miller with TMG, and Binging with Babish with his Babish Culinary Universe.
Our Take
Despite what Kimmel might have said about YouTube, the proof is in the dealflow. Once creators, whether YouTube-focused or otherwise, gain their footing as trustworthy voices for their communities, they earn the right to become curatorsâa position they can use to attract other great talent onto their own standalone networks.
New York Nico Shows Focus Can Pay Off
NYTimes
If youâre a New Yorker or one of New York Nicoâs 900K Instagram followers, you might recognize his work telling stories of some of the zaniest people in the five boroughs. Heâs collaborated with Jerry Seinfeld and Ilana Glazer in an MTA bid to get New Yorkers back on public transit, worked with Post Malone, and created a short film set to debut at the 2022 Tribeca Film Festival next month.
The Instagram creator (real name: Nicolas Heller) who calls himself the âunofficial talent scout of New York City,â has signed with United Talent Agency to expand his work across TV, film, and digital media.
Nico has simultaneously leveraged his skills to build revenue off-platform, tooâhe has a production company, Heller Films, that makes shorts and documentaries. Plus heâs directed spots for all-star brands like Google, Nike, Mastercard, and Jägermeister.
Our Take
Itâs Friday, why not two takes?
From a monetization standpoint, Nicoâs work shows the value of building revenue off-platform, especially if youâre an Instagram-first creator. Meta seems to be largely uninterested in helping its Instagram creators monetize, so carving out other paths is essential.
From a content standpoint, itâs tempting as a creator to consider your total addressable market as the entire internet. But as Nicoâs success story shows, when you focus on your corner of the world, the entire world can open up.
Sponsored by Jellysmack
One Content Category Dominates in Average View TimeâŚ
Weâll give you a clue⌠đľď¸ââď¸
Itâs true crime and mystery content. Jellysmack found that true crime and mystery content over-performed in several key metrics:
9 of the top 10 creators by average view time are true crime and mystery creators
Viewers are 55% more likely to watch a true crime video to the end relative to the all-content average
14% are more likely to watch past the one-minute mark relative to other content categories
Find insights like thisâas well as creator profiles, original research, and trends shaping the industryâon Jellysmackâs new blog, Creator Post. Make sure to hit subscribe while you're there.
YouTubeâs New Feature Raises Questions for Creators
Colin and Samir / YouTube
Last week, shortly after debuting a slew of advertiser-friendly features as part of its annual Brandcast advertiser showcase, YouTube announced another batch of updatesâthis time, affecting its flagship product.
The tl;dr: The YouTube player will soon allow viewers to jump straight to a videoâs most popular momentsâkind of like retention graphs for public consumption. Those popular moments will be IDâd by YouTube as the bits that are replayed most often, and theyâll be displayed within a videoâs progress bar.
Our Take
Part of YouTubeâs magic is its unique ability to provide a fairly distraction-free viewing experience for long-form content, as opposed to TikTok or Instagram, where scrolling and skipping are second nature.
Thatâs why YouTube creators have been so successful in forging deeper relationships with their audiences. But if YouTube begins encouraging viewers to watch in shorter bits, creators could potentially lose that trademark depthâand the value of retention data altogether.
Join the conversation with Colin and Samir on Twitter.
đĽ PRESS WORTHY
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Influence Weekly is a free newsletter that covers the news and trends shaping influencer marketing.
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Join a global community of creators turning their knowledge into scalable online businesses.*
MARKIPLIER talks about his journey as a creator on Anthony Padillaâs show.
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*This is sponsored advertising content.