
Illustration by Garrett Golightly
Breaking Down 5 Questions About YouTube Shorts
If youβve seen the announcement video from YouTube featuring Colin and Samir, read our VidSummit recap, or this recent issue of The Publish Press, you know: monetization for Shorts is coming in 2023.
YouTube is the first platform to introduce a revenue share model for short-form content and this uncharted territory brings as much excitement as it does uncertainty.
With this topic dominating the creator economy conversation, weβre switching things up a bit todayβbreaking down five of the most common questions around Shorts monetization. Let's go π
Question #1: Whatβs up with the revenue model?
The YPP revenue model looks different for short-form videos than for long-form. While creators get 55% of ad revenue on long-form videos, short-form creators will get only 45% of revenue generated from Shorts.
Plus, thereβs another element to the revenue shareβone that YouTube received criticism for not clearly explaining during their announcement. YouTube is allowing creators to monetize Shorts even if they use popular music, which is great for creators since music licensing is a tricky and expensive obstacle to navigate around.
However, to enable this free use of music, YouTube is distributing a portion of Shorts revenue to record labels. This makes the revenue pool available to creators (the pool theyβre getting their 45% cut from) smaller, regardless of whether or not music is used in their videos. It remains to be seen what impact the addition of this third party actually has on creator payouts.

Colin and Samir
Overall though, we view the revenue shareβa model YouTube and creators have experienced a mutually beneficial relationship withβas a step in the right direction for creators, bringing more flexible and potentially lucrative monetization to a format that needed it.
Question #2: What should creators expect as this rolls out?
Keep perspective: this is a platformβs experiment. YouTubeβs intent of course is for the experiment to workβbut itβs one new element added to its existing massive ad revenue machine.
βWe always have to make sure an initiative fits into our business and weβre not just chasing what platforms are doing,β Samir told us.
Thereβs a chance it doesnβt fit into the larger picture for a slew of reasons: advertiser money could wane if brands donβt see strong ROI, the ad experience could turn users off, distributing the revenue across creators could be more mess than its worthβto name a few.
With a new initiative, volatility is to be expected. βShorts have helped us with our subscriber and audience growth,β Samir said. βBut at this stage, Iβm also hesitant of inflated numbers.β
Colin and Samir shared that their channelβs Shorts views have slowed in the last couple months. Thatβs also been the case for a reader who wrote in to us for Creator Support, and Isaiah Photo. Despite having over 7 million subscribers and past Shorts raking in over 6 million views with regularity, Isaiah Photoβs last few Shorts havenβt cracked 600,000. We expect Shorts performance to remain in flux as the revenue model gets its bearings and both creators and users continue to adapt to the format.
Question #3: How does this move from YouTube play into the broader platform wars?
Not unlike Instagram stealing Snapchatβs Stories, YouTube has made strides integrating its TikTok copycat into the product and proving that multiple formats can work on a single platform. And with this announcementβYouTube is beating TikTok to the punch.
By being the first to release a revenue share model on the content format it made mainstream, YouTube is flexing what itβs best known for in the creator economy: paying creators.
Plus, with creators criticizing TikTok for its weak monetization, weβd expect this news to lure TikTok creators onto Shorts. Now it's up to Shorts to meet the expectations of viewership, engagement, and revenue.
This also puts the pressure on TikTok, as well as Snap, Meta, Twitch and the like, to sweeten the pot for creators. As YouTube is setting the bar high with revenue shares, it will be interesting to see how platforms adjust their creator monetization strategies if at all.
Question #4: If youβre a long-form creator with not much short-form experience, should you start experimenting? If so, how?
YouTubeβs bread and butter from its start has been long-form content. Many homegrown YouTubers weβve spoken to havenβt yet invested in short-form content or have only dabbled in it.
βIβve never made enough time for [Shorts] in the past. Theyβve often been an after-thought. But with short-form content becoming such a focus for every platform now, I know it is important and I am looking at how to incorporate them into my overall strategy,β arts and color theory creator Sarah Renae Clark said.

Sarah Renae Clark / YouTube
Where to start? Creators weβve spoken to suggest an efficient approach. Instead of starting with a blank canvas, Julian Saliani, who assists in insights for Colin and Samirβs channel, recommends reformatting your past videos into a short-form version and checking out the performance. By repurposing your existing videos, you can experiment with less input and expose a potentially new audience to your catalog.
Mike Shakeβs editor, Devin Robbins, is taking advantage of the low-barrier, flexible nature of Shorts with their approach. βOur strategy is to ramp up Shorts production with a standalone format thatβs quick, easy, and cheap to produce,β he said. βSince thereβs still so many question marks about Shorts, we just want to be major players in the space, and then weβll adjust on the fly.β

VidSummit / Twitter
Airrack uploads two Shorts for every four long-form videos. At VidSummit, he emphasized that heβll keep his eye on long-from as well. βAs we move into the Shorts era, make sure youβre balancing with long-form,β Airrack said.
Question #5: How are creators viewing Shorts as part of their broader content strategy?
As Andrew Manganelli explains on this episode of MKBHDβs WVFRM Podcast, Shorts give creators the opportunity to experiment. The barrier to creation is low and the potential audience reach is massive.
As weβve seen short-form creators across platforms grow rapidly, itβs important for creators to remember the balance between the quality of connection and the quantity. βShorts seem to be effective at reaching a larger audience but they donβt allow creators to connect on the same level and build the depth of relationship with their followers as long-form videos do,β Sarah Renae Clark said. βI think the most successful creators will find a combination of both.β
In the holistic view of your video content, Shorts is a very powerful format optimized for discovery. βShorts provide width, but only use that to bring viewers into a funnel where you can provide depth,β Samir said.
Our Take
Weβre excited for YouTubeβs initiative to monetize short-form content, but we are still far from a complete solve. As Shorts views fluctuate, and we start to see how monetization shakes out, itβs important to keep your mission front and center. We see the next strong creator as someone who isnβt just good at long-form or short-form, but wisely uses both.

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π€ Creator Support
Publish Press readers share a problem they're facing and creators Colin & Samir respond with their advice.
Q: Iβm interviewing guests for a big YouTube docuseries Iβm starting on and Iβm curious: what is your interview process like?
I know you do a lot of prep work to know your guests before they come on, but you also have such natural conversations with them and I'm sure you also ask questions that are improvised in the moment.
Do you leave room in your scripts for spur-of-the-moment questions and what is your advice on how to best interview a guest?
A: This is something weβre still learning. Weβve succeeded at times, weβve failed at other times, and itβs not the guestβs fault necessarily.
In our interview with Jeff Wittek, we had such a strict idea of what story we wanted him to tell and the order we wanted him to tell it. If you listen to that interview in full, weβre trying to guide him to a place, even if what heβs saying is going to a place that heβs more interested in.
We look back at that interview and think we shouldβve gone to where he was more excited if it was deemed interesting to the creator world.
We missed opportunities there, but we also now have gotten to a place where we try to do a lot of prep, understand our guests, understand the angle we want to goβbut we arenβt super strict with the order. Weβre a lot more fluid and want to encourage a comfortable conversation because itβs more enjoyable to watch.
Other tips weβve learned over the years:
Have a pre-call with your guest. Youβll get a feel for what theyβre excited about, what theyβre not excited about, or what theyβve talked about before. It can help you understand the direction of the interview.
Refrain from editing the story in your head as you interview, but work on being present and letting go of your expectation for where the conversation is goingβthatβs the key to having natural conversations. Trying improv can be a good way to help with thisβit trains you to be present and lock in on what others are saying.
You also want to be prepped and deeply understand why itβs important for you to sit down with them and why itβs valuable for your audience to invest time in listening to your source. As long as you understand those things and you can be present, youβll find your way.
Itβs not easy and itβs a skill that weβre continuing to learn.
Facing a creator problem you want help with? Share it hereβ

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Dale TΓΊ is Instagram's new creator program supporting Latinx and Hispanic creators. Sound like you or someone you know? Check out the application hereβdeadline is October 12th.*
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*This is sponsored advertising content.





