Good morning. Welcome to our Labor Day special, where weβve brought together some of our favorite creators and operators to evaluate the past, present, and future of platform monetization. Please enjoy, share with a friend, and have a great rest of your long weekend. ποΈ

The Summer of Creators Getting Paid

Illustration by Moy Zhong
In the two years since we launched the Publish Press, creator monetization has dominated our industryβs news cycle almost as frequently as βMrBeast breaks [insert record here].β
From TikTok facing criticism for Creator Fund payouts in 2021 to YouTube monetizing Shorts earlier this year to TikTok revamping its fund shortly after, thereβs always been chatter of creators making money via platforms.
But this summer, there was a distinct vibe shift. We were no longer dealing with a slow trickle of creator monetization news, but rather a gushing stream of it. Every major platformβSnap, TikTok, Instagram, X (formerly Twitter), and YouTubeβnow offers payouts for creators.
And itβs not just video creators. Spotify runs an earnings program for podcast creators, and newsletter platforms like Beehiiv and ConvertKit are testing ad networks.
But how do we see the signal through the noise, to understand whether these highly-publicized creator payout programs are meaningful enough to creatorsβ incomes to introduce a new class of full-time creatives in our industry? We asked creators and their teams, and hereβs what we learned.
Not all platform monetization is created equal. As journalist Taylor Lorenz pointed out to us, no matter the hype, Xβs creator monetization efforts have been flimsy at best: X owner Elon Musk has slashed Xβs creator partnerships team, the platform was delayed on payments, and X still owes money to creators who monetized through Subscriptions.
βNo one is going to [prioritize] a platform where you have no creator partnerships team, you have no product team working on creator features, and youβre not transparent about payouts,β Lorenz told us.
But on TikTok, YouTube, and Instagram, creators are reporting significant earnings growth this summer.
Victoria Paris made over $9,000 in one month through TikTokβs revamped creator fund (now known as the Creativity Program), and Bobbi Althoff claims TikTok pays βso well now.β
Some creatorsβ platform earnings account for more than β of their business. For example, Mark Rober told Colin and Samir that half of his revenue comes from AdSense. In contrast, education creator Ali Abdaal's AdSense accounts for less than ΒΌ of his earnings (still, he made about $650,000 last year via AdSense).
But: These snapshots from high-profile creators donβt represent the majority. In 2022 (before TikTokβs revamped creator fund and YouTubeβs Shorts monetization), only 35% of creators were getting paid through online platforms and only 12% of creators earned more than $50,000 a year. FYI: The median income in the U.S. is around $70,000 a year, according to the latest census.

Infographic by Moy Zhong
Thatβs why new monetization efforts have been so closely monitored by our industry. For many, new monetization opportunities for creators of all sizes represent the possibility of the long-awaited βcreator middle class,β or the cohort of creators making a living off of their content without needing audience sizes in the multi-millions.
That creator middle class potential is our industry's incentive for championing new platform payout programs. But what about the platforms themselves? What about this summer caused this shift toward bigger, more widely available payouts for creatives?
Platforms are wising up to the fact that they need creators for a thriving online ecosystem. 2021 saw a boom in VC-backed creator startups, and even though that bubble has burst, the movement did push platforms to take creators more seriously, Lorenz told us.
β[VC startups] did put a lot of money in the [creator] space and helped legitimize it to where it sort of influenced these platforms into taking creators seriously and engaging with creators in some way,β Lorenz said. βEven if they havenβt fully built out effective revenue share programs, at least they canβt treat influencers the way they did all throughout the 2010s.β
Worth noting: Though both platforms and creatives are motivated to participate in payout programs, their incentives arenβt always aligned.
βPlatforms have this push/pull with their biggest content creators because what the creators want doesnβt always align with what the platform wants,β Lorenz said.
Look no further than last week, when YouTube and TikTok pulled external links from short-form videos, moves that could be detrimental to creators who make money through affiliate links and product sales.
A small change in platform policy like that could radically impact a creatorβs business. For example?
Ali Abdaal used to earn $60,000β$70,000 a month from Skillshare. When the platform changed its teacher earnings, Abdaalβs revenue shrank to $20,000β$25,000/month.
βItβs a useful example of what can happen when a company owns the audience that you are catering to, and then decides to change course,β Abdaalβs manager Angus Parker told us.
Big picture: This summer marked a shift in the ways money flows in this still-nascent creator industry. But as is often the case with new paradigms in new industries, creator monetization should be treated as one strategy toward top-line growth, not the only strategy.
βPlatform payments for the [creator] middle class are a shaky ground to build on because theyβre so volatile,β Colin and Samir told us. Instead, think of how your audience could be funneled to other products. βThe question you have to ask yourself: if your content reaches 10,000 people on a regular basisβ¦thatβs not significant with an ads business, but it is for product sales,β Colin and Samir said.

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π Creator Moves
Zac Alsop is hiring a full-time junior editor based in London.
Ali Abdaal is looking for a content executive to work on the social media team.
The Skorys are hiring a video editor to work on their family-friendly mystery videos.

π₯ Press Worthy
Baseball creators Jomboy Media are selling tickets to their BlitzBall playoffs.
Alix Earle gets featured in Elle magazine.
Finance creator Humphrey Yang shares his experience with YouTubeβs thumbnail testing feature.
Amazon Inspire, the TikTok-like shopping feature, is under fire from creators for its low payout structure.
Lifestyle creator John Fish rolls out the beta for Bookshelved, a subscription book club and community platform.
The Streamys nearly doubled in viewership from a year ago.
YouTube has begun rolling out the beta version of its A/B thumbnail testing tool.




