Good morning. Yesterday, President Donald Trump announced the β€œPatriot Games,” a four-day athletic competition featuring one man and woman from each US state and territory.

Any way you slice itβ€”whether it’s The Hunger Games, Squid Games, or Beast Gamesβ€”someone’s IP is getting ripped off.

YouTube Gains Rights to the Academy Awards

The Oscars is leaving ABC for YouTube / Illustration by Moy Zhong

Starting in 2029, Hollywood’s biggest night will stream exclusively on YouTubeβ€”the Oscars are leaving ABC after 50+ years with the network.

Behind the deal: In a five-year contract, YouTube will gain access to other programming from the Academy of Motion Picture Arts and Sciences, including red carpet coverage and nomination announcements. The livestream will be available to both YouTube TV subscribers in the US and YouTube’s 2 billion global users for free.Β 

The deal reportedly costs YouTube over $100 million per year (but it’s expected to make roughly $140 million per year from ad sales). In the past, ABC shared a portion of ad sales with The Academy. It’s unclear whether YouTube will do the same.

But this is about more than money. It’s a cultural milestone, like YouTube’s acquisition of NFL Sunday Ticket in 2023β€”and yet another play toward dominating the living room. YouTube CEO Neal Mohan expects the Oscars to increase in viewership (which has dropped steadily since 1998) on its new home.

β€œPartnering with The Academy will inspire a new generation of creativity and film lovers while staying true to the Oscars’ storied legacy,” Mohan said in a statement.

So what are traditional media creatives saying?

  • β€œAbout time honestly. A large part of the decline in viewership was due to accessibility,” filmmaker David Kirkman commented on Instagram.

  • β€œThis is bad for writers who rely on broadcast residuals, so I'm fundamentally against it, but this seems fine/good for regular consumers. Great for movies,” TV writer and WGA member Jamie Lynn Harris said on X.

While creator economy natives joke about the transition:

  • β€œIs chat the new Academy?” Smooth Media CEO Josh Kaplan asked.

  • β€œ[Mid acceptance speech] I'd also like to thank Nord VPN,” comedy creator Ron Iver posted on X.

Looking ahead: The Academy Awards are regarded as one of the most important nights on television, on par with the Super Bowl. We want to know: How will creators be incorporated into the huge cultural moment? Hit reply and let us know your thoughts.

Why This Travel Creator Is Doubling Down on Long-Form

Documentary creator Peter Santenello (left) is releasing a book (right) outlining his travels across America / Photography courtesy of Peter Santenello

For many creators, short-form video is all about discovery (and brand deals). But travel creator Peter Santenello is taking the road less traveledβ€”short-form won’t be a meaningful part of his video strategy rolling out a new product.

Context: Santenello has built a following of over 4 million on YouTube. He’s spent the last six years documenting life across America, spotlighting places like Appalachia and El Paso.Β 

He’s about to release his first book, Your Fellow Americans, next August, and he told us short-form won’t be a big part of promoting it.

β€œSometimes we go deeper into issues that need full context, and to do Shorts you have to outsource it, and check their work,” Santenello told us. β€œAs a lean team [of two], we have to ask β€˜how much more do you want to add?’ and what we have is working really well.”

His strategy β†’ leaning into long-form. Santenello’s viewership is 80% on TVs, and Gen X is one of his fastest-growing audiences. AdSense makes up the majority of his revenue, followed by brand deals and subscriptions.

β€œI want to be able to understand the facets of a society, and they’re longer videosβ€”they’re not quick edits,” Santenello said. β€œWe’ve developed an audience that knows what they’re getting in that respect.”

The plan for 2026: Dive into more US cities and deepen audience engagement. One of those ways is through postcards, which he writes and sends to his top tier members from every city he visits.

β€œThese little things aren’t much of a lift but they add to it,” Santenello said.Β 

The Publish Press: Wrapped

Thank you for pressing publish with us / Illustration by Moy Zhong

In the spirit of recap season, we’re sharing our top metrics from a full year of sending newsletters each week:

  • If you read every word of every send (we see you), you read 163K words this year. That’s the equivalent of Bram Stoker’s Dracula.

  • Our subscribership could fit nicely into Syd’s college town, Athens, GA. But a few thousand of you will need bunk beds.

  • The most read edition? Our exploration into YouTube’s age verification policy, with a 5% higher-than-average open rate.

  • Our biggest growth month was April, which happens to be both Syd and Hannah’s birthday month. Happy birthday to us!

We’re so grateful to everyone who clicked, read, shared, and commented this year. Thank you for sticking with us, and we’re excited for you to see what we’ve got cooking for next year.

πŸ”₯ Press Worthy

*This is sponsored content

β›„ Thank You for Pressing Publish

The content we’re looking forward to reading, watching, and listening to before the holidays.

  • Read: New York film critic Bilge Ebiri interviews Ron Howard and the team behind the 2000 movie How The Grinch Stole Christmas on how the film was made.

  • Watch: In a parody on Jubilee’s trusted β€œlineup” format, Bunch of Friends try to figure out who among them is secretly Santa Claus.

  • Listen: If you need a new earworm for the holidays, Broadway Brass Band has you covered with their rendition of β€œHanukkah in Santa Monica.”

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