Good morning. This week marks one year that Syd (one-half of this newsletter) has been with The Publish Press. The creator economy functions like dog years, so that basically amounts to five years of creator meme, trend, and business expertise.Β 

We could think of where we’d be without her, but we wouldn’t want to be there.

KSI Buys Stake in London Football Club

KSI lays out his hopes for Dagenham & Redbridge / KSI

The UK has chosen its next Ted Lasso and it’s…KSI. This week, the Sidemen frontman became part owner of sixth-tier London football club Dagenham & Redbridge. KSI is taking a minority 20% stake, according to The Athletic.

β€œWith this club, I want to do the unthinkable,” KSI said in a YouTube announcement. β€œI want to take Dagenham & Redbridge to the Premier League.”

How he got here: Between his personal channels and Sidemen, KSI has built a following of 100 million since 2009. He co-owns creator CPG brands PRIME and Lunchly and has his own record label. The Sidemen have sold out Wembley Stadium for charity football matches.Β 

His motivation to buy a minority stake in Dagenham & Redbridge partially stems from the FIFA YouTube series that helped launch his channel.Β 

In addition to building a better team, KSI wants to build community with the fans.

β€œI’m reachable,” he said. β€œYou can let your frustrations out to me, or celebrate with me. I am approachable. What other owner do you know that’s sitting with the fans like this?”

The pitch: Other UK-based football teamsβ€”like Ryan Reynolds’ and Rob McElhenney’s Wrexham AFCβ€”have seen substantial success following ownership changes, but this marks the first time a creator has gotten involved on an ownership level. Will KSI have what it takes to bring Dagenham & Redbridge to the Premier League?

These News Creators Want to be the SportsCenter for Ads

Jack Westerkamp (left) and Geno Schellenberger (right) of Breaking and Entering Media expand into live shows / The Vault

Advertising news creators Breaking and Entering Media, led by Geno Schellenberger and Jack Westerkamp, are launching a live show today.

Breaking it down:Β 

  • Schellenberger started Breaking and Entering as a podcast in 2020 about getting a job in the ad industry. Westerkamp, a finance professional and childhood friend, joined in 2022.

  • In 2024, the duo started posting 60-second whiteboard breakdowns of the top ad news, which popped off on LinkedIn that summer, allowing them to go full-time.Β 

  • Now they run a team of five and reach an audience of over 60K across a podcast, longform shows, and newsletter.

Why go live? To experiment with format, streamline production, and lean into their chemistry.

β€œGeno and I’s ability to be on live and play off each other and flex the muscle of our friendship is [our competitive advantage],” Westerkamp said, β€œAnd the best way to take full advantage of that is via livestream where things are very real and in-the-moment.”

The episodes will air Tuesday–Thursday from 11am–1pm ET across X, YouTube, and LinkedIn, featuring guests from the ad industry. They’re also evolving their sales approach to include broader sponsorship packages.

β€œAs opposed to a traditional creator model where you do a couple custom videos for your rate, we’re treating it more like a media network where you’re spending this amount of money and you're getting this number of impressions but it's spread out across short-form clips and ad reads,” Westerkamp said.

Read the room: The duo take inspiration from daily news show TBPN, who have grown a loyal following and million-dollar sponsorships in its first year. They join a growing niche-casting trend, where niche creators like Assistants vs. Agents and freight industry analyst Malcom Harris are launching weekly, high-quality livestreams.

Breaking and Entering’s end game? Become the number-one show for the advertising industry.Β 

β€œOur dream is that similar to how an office might have Bloomberg or MSNBC on their TV, we want ad agencies to have the Breaking and Entering live show on their TV and be that news source for daily marketing news,” Westerkamp said.

All Your Creative Tools Working Together

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  • Final Cut Pro gives you smarter, faster ways to craft and cut captivating videos.

  • Pixelmator Pro lets everyone reimagine images, create striking graphics, paint, draw, illustrate, and so much more.

  • Logic Pro helps you produce music and perfect audioβ€”bringing brilliance to every beat.

  • Supercharged productivity apps bring intelligent features to help you get more done in Keynote, Pages, and Numbers.

With Apple Creator Studio, it’s all yours for the making. Start creating now with a free trial.

Instagram inserts shopping links into user content / Lindsey Gamble

Instagram is testing a new β€œshop the look” feature that allows users to shop products related to the Reel they are watchingβ€”without the creator linking to the product.

Context: Platforms including TikTok and Pinterest have rolled out similar features. For example, TikTok’s β€œFind Similar” button suggests products related to clothing items, makeup, or other products in videos.Β 

Although Meta does not take commission on the items sold through the new feature, neither do the creatorsβ€”and there is currently no option for creators to opt out.Β 

Do you think creators should be able to opt out on shopping features on their content across platforms?

Login or Subscribe to participate

βž• Community Tab

Syd (left) and Hannah (second from left) attend the live taping of creator sitcom Good Roomies, co-created by Jonathan Gaurano (center) / Photography courtesy of Syd Cohen

Hi everyone, Syd and Hannah here. Earlier this week, we went to a live taping of a creator sitcom, Good Roomies, written by creators and Press readers Jonathan Gaurano and Alix Winschel. The twist? Audience participation is encouraged.Β 

Zoom in: Good Roomies is made up of a creator cast including Michelle Park, Motoki Maxed, Jade Duong, and Gaurano. The first episode is about Megan (played by Park) navigating her sexuality with support from her friends.Β 

The hour-long episode was acted in multiple vignettes with two cameramen recording the show and audience reactions. The cast made call-outs to the audience and responded to laughs, shouts (and lack thereof).

It felt like a blend of every trend we’ve been tracking: IRL events, microdramas, and highly-produced short-form series.Β 

Leaving we wonderedβ€”is this what the future of social shows look like? In the age of AI, where we often can’t trust what’s on our screen, is a rogue cough, camera-pan, or clap from an audience member verification of reality? You can be the judge yourself. The series will go live across socials on April 20.

πŸ”₯ Press Worthy

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