Good morning. We don’t like gatekeeping, so we won't do it. We have five pairs of tickets to the LA premiere of Kareem Rahma’s YouTube show, Keep the Meter Running, this Saturday evening in Los Angeles.Β 

Want in? Refer a friend to the Publish Press using your unique referral link below to be entered into the running to win a pair of tickets. We’re picking the winners tomorrow afternoonβ€”we’ll let you know if you won then.

Today’s lineup:

  1. Johnny and Iz Harris earn a traditional media stamp of approval

  2. The mind behind Mark Rober and MrBeast’s #teamtrees launches a creator nonprofit incubator

  3. Why this podcast is staying ad-free (for now)

Inside Newpress’ Emmy Win

Johnny Harris (left) and Iz Harris (right) speak on stage at Press Publish LA about their projects with Newpress / Photography by Jesse Leon

Last week, news creators Johnny and Iz Harris’ YouTube media company, Newpress, won a News and Documentary Emmyβ€”marking their first Emmy win as YouTube creators.

Newpress won for outstanding graphic design on Johnny’s YouTube channel. It operates three other YouTube channels (Tunnel Vision, Search Party, and The Bigger Picture) dedicated to in-depth news reporting, reaching a combined 14M followers and backed by a 40-person team of researchers, editors, designers, and producers.

A day after the Emmy win, Johnny and Iz joined us at Press Publish LA to share more about what the win means for the business.

What’s the biggest unlock from an Emmy? Marketing. β€œNow we’re going to have more institutional validation which will translate into economic validationβ€”more sponsorship opportunities to help fuel our work. And we’ll be able to do better work and attract more talent,” Johnny said.

Currently, Newpress runs brand sponsorships as ad reads across channels with companies like Adobe, Incogni, and Ground News. With the Emmy win, Newpress is looking to attract funding for its upcoming show, The Human Element, on Johnny’s YouTube channel.Β 

"We are spending a lot of money [on The Human Element] relative to our normal videos. And we’re not publishing right now, so we’re losing a lot of opportunity cost,” Johnny said. β€œWhat we are betting is that if we do this right, we will find a brand who wants to stand next to the best of premium storytelling on the YouTube platform.”

Zoom out: Newpress’ Emmy win isn’t just to fund one showβ€”it could serve as proof that YouTube-native journalism built on audience trust instead of institutional backing can compete for the same premium brand dollars as legacy TV.Β 

"The future is people wanting to learn from humans they trust directlyβ€”in their voice, their style, and their show," Iz said.

MrBeast Team Member Launches Creator Philanthropy Incubator

Heather Moosnick (left) and Matt Fitzgerald (right) launch Create on Purpose / Photography courtesy of Canon

Last month, Matt Fitzgerald, co-founder of MrBeast and Mark Rober’s #teamtrees, #teamseas, and #teamwater campaigns, teamed up with media exec and entrepreneur Heather Moosnick to launch Create on Purpose, an organization that helps creators establish nonprofits.

β€œWe're building the bridge between the resources that want to support the causes [and] the creators that want to support the same causes,” Moosnick told us.

How it works: Moosnick and Fitzgerald are combining their creator and nonprofit networks to serve as an intermediary between organizations and creators. Create on Purpose currently has three offerings, all free of charge for creators:

  1. Help creators build their own organizations from the ground up by covering development overhead (like their partnership with STEM creator convention Open Sauce)

  2. Pair creators with philanthropies working in spaces where creators are already focused (similar to Fitzgerald’s previous work the Arbor Day Foundation, MrBeast, and Mark Rober for #teamtrees)

  3. Create an advisory council of creators who’ve already built their own nonprofits (like Alveus Sanctuary founder and Twitch streamer Maya Higa)

β€œI try to think about who's already doing this work and where they have superpowers that, in collaboration with a creator, can really unlock something that would be difficult for either other party to do on their own,” Fitzgerald told us.

Why it matters: The creator philanthropy sector is growingβ€”from Rober’s $60M STEM education initiative to Higa’s wolf repopulation programs. Why? Because audiences are able to see the tangible impact of their donations when the creator is building the organization before their eyes.

β€œEveryone wants to feel like they're a part of a community and that they're building something together,” Higa told us. β€œAnd when you're doing it live, you are literally all there at the same time, so there's this togetherness feeling that comes with it.”

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Get to Know our 2026 LIONS Creator Ambassadors

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Join Ambassador Zoe Unlimited and other creators for β€˜Group Chats Powered by Adobe: How to Scale Content and Reach new Audiences’. This interactive deep dive will uncover how to push creative boundaries and scale content without burning out.

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Cannes Lions | June 22-26 2026, Cannes, France | Be part of it.

Why This Podcast Is Betting Big on Patreon

β€˜The Cutting Room Floor’ host Recho Omondi doubles-down with Patreon / The Cutting Room Floor

Fashion podcast The Cutting Room Floor has spent the last five years paywalling its ad-free episodes exclusively on Patreonβ€”without any formal agreement with the platform. During that time, the show reached the top 1% of Patreon podcasts by earnings and more than doubled its paid memberships year-over-year.

Now it's making that exclusivity official with a three-year partnership. We spoke with founder and host Recho Omondi to hear why.

"The impetus was because there was a competitor to Patreon that was poaching me very aggressively to leave the platform. It inspired me to bring that deal to Patreon and they agreed," Omondi told us.

The details: Patreon will support the show in expanding its content slate and formats, staffing, and events, while Omondi retains full ownership of the brand. Episodes will stay paywalled and ad-free, and the pace will still be deliberate.

  • Omondi said clips and social video have been her top subscriber acquisition tool, driven by a video team of four people.Β 

  • "It's very challenging to create something of substance in a world where everything is very bite-sized,” Omondi said. β€œWe want to give them things that they can take a week and a half to chew on before the next one comes out."

πŸ”₯ Press Worthy

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